minitracks 
The inaudible sounds, the unorthodox sound sources, are the available material that I used for these compositions. As "sounds from unorthodox sources" I consider a great deal of different posible samples: resonances of brocken instruments, fonetic sounds from different languages, field recordings of natural landscapes, or the sounds produced by objects in an unfunctional, involuntary, sometimes also inaudible, way (radio and electric waves, vibrations in transmitters, signals from transistors and circuits, or produced by the activity of mechanic motors. And a whole universe that constitutes the involuntary sonority of technology). I listen to this unconscious or dumb sonority and translate or transform it in raw material for these compositions.